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View from the 'Top'


Thursday, June 5, 2008



ZZ Top<br />
Dusty Hill, Billy Gibbons and Frank Beard.

PROVIDED

ZZ Top
Dusty Hill, Billy Gibbons and Frank Beard.

Timeline

May 19, 1949: Dusty Hill is born in Dallas.

June 11, 1949: Frank Beard is born in Frankston, Texas.

Dec. 16, 1949: Billy Gibbons is born in Houston.

June 1968: The Moving Sidewalks, Billy Gibbons' pre-ZZ Top band, opens for Jimi Hendrix, who will later remark on "The Dick Cavett Show" that Gibbons is one of his favorite guitarists.

1969: ZZ Top forms, records the song "Miller's Farm" and releases the single. It fails to chart.

Feb. 10, 1970: ZZ Top performs its first live show at the Knights of Columbus Hall in Beaumont, Texas.

Aug. 4, 1973: The band's third album, "Tres Hombres," enters the charts, rises to No. 8 and becomes the band's first gold album.

September 1974: The band draws 80,000 fans to a Labor Day stadium concert dubbed "ZZ Top's First Annual Texas Size Rompin' Stompin' Barndance and Bar B.Q." Also on the bill that day: Santana, Joe Cocker and Bad Company.

April 23, 1983: The band releases "Eliminator," which peaks at No. 9, remains on the chart for more than three years and is eventually certified 10 times platinum.

Sept. 18, 1984: At the first MTV Video Music Awards, ZZ Top wins in two categories: Best Group Video ("Legs") and Best Direction ("Sharp Dressed Man").

May 4, 1991: ZZ Top Day is declared by then-Texas Gov. Ann Richards.

Sept. 28, 1999: The band releases "XXX," a new album that coincides with its 30th anniversary.

March 15, 2004: ZZ Top is inducted into the Rock and Roll Hall of Fame at the 19th annual induction dinner. Keith Richards is the band's presenter.

Discography

--ZZ Top's First Album: Jan. 16, 1971 (Warner Bros.)

--Rio Grande Mud: April 4, 1972 (Warner Bros.)

--Tres Hombres: July 26, 1973 (Warner Bros.)

--Fandango: April 18, 1975 (Warner Bros.)

--Tejas: Feb. 9, 1977 (Warner Bros.)

--The Best of ZZ Top: March 21, 1977 (Warner Bros.)

--Deguello: Aug. 27, 1979 (Warner Bros.)

--El Loco: Nov. 30, 1981 (Warner Bros.)

--Eliminator: March 23, 1983 (Warner Bros.)

--Afterburner: Oct. 28, 1985 (Warner Bros.)

--Six Pack: Jan. 1, 1987 (Warner Bros.)

--Recycler: March 23, 1990 (Warner Bros.)

--Greatest Hits: April 14, 1992 (Warner Bros.)

--Antenna: Jan. 18, 1994 (RCA)

--One Foot in the Blues: Nov. 22, 1994 (Warner Bros.)

--Rhythmeen: Sept. 17, 1996 (RCA)

--XXX: Sept. 28, 1999 (RCA)

--Mescalero: April 15, 2003 (RCA)

--Chrome, Smoke & BBQ: Oct. 14, 2003 (Warner Bros.)

--Rancho Texicano: The Very Best of ZZ Top: June 8, 2004 (Warner Bros.)

If you go

WHO: ZZ Top

WHEN: Sunday, 8 p.m.

WHERE: North Charleston Performing Arts Center

TICKETS: $76. Available at www.ticketmaster.com or by calling 554-6060.

Dusty Hill was looking through the extensive guitar collection he put together through the years when a photograph on the wall caught his attention.

In the picture — taken sometime in the early '80s — he was talking with Andy Warhol at an MTV party on a yacht in the harbor overlooking the New York City skyline.

It wasn't the party that caused the 59-year-old to stop, if only for a few moments, so much as it was a book he had read years later. In fact, Hill can't even recall the name of the book, which was authored by Warhol, other than he remembers being taken by surprise when the eccentric artist recalled the chance meeting between the two.

Hill had just gotten through performing with his band ZZ Top when he was walking through the partygoers, which included then-"Miami Vice" star Don Johnson complete with a five o'clock shadow.

He and Warhol had what he thought was a not-so-memorable exchange of pleasantries.

"There was the awkward moment where you have to say something," Hill recalls. "I didn't know what to say, so I'm looking at Andy Warhol and I said, 'Well, how about them Cowboys?' "

Warhol looked as though he had never heard of the Dallas Cowboys, and the two quickly went their separate ways, all of which made the passage in his book all the more peculiar.

"To him, there was this moment and ... it was a meaningful conversation," Hill added, "and, well, I didn't know that we had that. I was shocked that it was such a moment, supposedly. Well, for me it wasn't. Anyway, I saw that picture, and it brought back the story to mind and it gave me a chuckle."

When you're a member of one of the most iconic rock-'n'-roll bands of all time and you've been with said band for nearly 40 years, those are the kinds of memories that make you stop what you're doing and remind yourself, "I can appreciate the things that happened."

The birth of the Z

Formed in 1969, ZZ Top was originally dubbed the "Little ol' band from Texas."

Hill and drummer Frank Beard had played together for a few years in a band called American Blues up in Dallas before they met guitarist Billy Gibbons, who himself was playing with The Moving Sidewalks.

"Frank and I played together ... for five years before this," Hill said, "so we were comfortable.

"We met Billy and it just clicked. Then we discovered we had the same roots of what we listened to growing up, musically, and then the biggie: We really had the same sense of humor."

Over the years that humor would lend itself nicely to a variety of songs with pop-culture references, sexual double-entendres and innuendos as they established themselves as the ultimate party band.

Influenced by the likes of Freddy King and Lightnin' Hopkins as well as Muddy Waters and John Lee Hooker, the band's identifiable style — chest length beards, sunglasses and fur-covered guitars — and recognizable sound — rootsy grooves — has as much to do with their home state of Texas as it does boogie, blues and rock.

"We're a three-piece rock-'n'-roll band with a lot of blues influence," Hill explained, "and we have a sense of humor about this whole thing."

In all seriousness, however, ZZ Top has released 20 albums and has eclipsed worldwide sales of more than 50 million albums in a career spanning a staggering 39 years.

In fact, this year marks the 25th anniversary of the release of "Eliminator," which still stands as their most commercially successful album to date, having sold more than 10 million units.

"Yeah, it snuck up on me," Hill admits.

Nevertheless, it was a 1973 trip to a Memphis recording studio with longtime manager, producer Bill Ham, that would result in an album, "Tres Hombres," that would eventually become the hallmark of their career.

"Hombres" was a union of Texas blues and Memphis soul. Coupled, of course, with a relentless touring schedule, the album was the first in a succession of 11 gold and platinum albums.

Known for performing on a Texas-shaped stage, ZZ Top spared no expenses when it came to touring.

For their famous "Worldwide Texas Tour: Taking Texas to the People," they trucked 75 tons of gear along with live animals native to the Lone Star state, the likes of which included a buffalo, a longhorn steer, buzzards and rattlesnakes.

In spite of their road-worn looks, ZZ Top became one of the most visually appealing bands and, with the emergence of MTV in the early '80s, they just as quickly became international superstars.

With the release of "Eliminator" in 1983, the band also released a trio of comical videos — "Gimmie All Your Lovin," "Sharp Dressed Man" and "Legs" — that featured the now-famous cherry red 1933 Ford Coupe driven by three mysterious women.

"I can remember when (MTV) came to us and asked us to do our first video," Hill said. "We didn't know what we were doing. We went and got a good director and told him the elements of what we like: The cars — we were building that anyway — and let's get some pretty girls out there because we're not glamour boys. It worked out well for us, and it happened to be the right thing at the right time. People enjoyed the cars and the ladies and, (heck), so did I."

Replete with superior musicianship, ZZ Top have few peers in which they can be compared. In fact, they are the only rock-'n'- roll group with its original members intact after more than three decades of writing, recording and performing together.

And throughout their entire career, the band has stayed to true to itself.

The music is instantly recognizable — among the essential songs would be "Tush" and "Cheap Sunglasses" — and although somehow they've never won a Grammy award, their legacy was secured in 2004 when the so-called "Little ol' band from Texas" was inducted into the Rock and Roll Hall of Fame.

"We were backstage with Keith Richards, who was going to do the induction," Hill recalls, "and I couldn't help it, I had to ask Keith, I said, 'What do you think you're going to say out there?' He mumbled something and I'll be (darned) if that's what he didn't say up on stage. I couldn't understand what he said, but, once again, I don't know if that was me excited at the moment or if that's just Keith."

Still going strong

In any case, as in the past, the band continues to look forward.

They recently released a live DVD, the aptly titled "Live from Texas," and, at the moment, they are in the midst of yet another summerlong tour that will extend until mid-September.

Just as they've always done, they are writing new material on the road — they once wrote "Tush" in five minutes during a sound check — and this fall there are plans to record an album celebrating their 40th anniversary next year.

"There's a lot more we can do and I'm looking forward to it," said Hill, who acknowledges there might be something to be said regarding Internet rumors that have the band working with producer Rick Rubin (Beastie Boys/Tom Petty/Johnny Cash).

"If that would happen, that would open another path and who knows what all kinds of fun things that might lend itself to. I don't want to say yes and it doesn't work out, but that would be fun."

Keith Ryan Cartwright is a Colorado-based freelance entertainment journalist.



Comments

Posted by KidYendor on June 5, 2008 at 12:52 p.m. (Suggest removal)

I saw Doobie Bros. at House of Blues for $35. Doobie Bros. had 8 people in the band. I think these $76 tickets are overpriced for the 3 member ZZ Top.



Posted by crazystix on June 6, 2008 at 8:20 a.m. (Suggest removal)

KidYendor, if you believe that the ticket prices are too high, simply speek with your wallet and don't go to the concert. For me, it's worth the extra $ to see a great Rock N Roll Hall of Fame band in a smaller (and great sounding) venue.



Posted by KidYendor on June 6, 2008 at 12:58 p.m. (Suggest removal)

Look here crazy, the House of Blues in Myrtle Beach is a smaller venue than the Performing Arts Center. That is where the Doobies were on May 4. ZZ Top is more than twice the price of the Doobies and I do not see the justification in the high price. What justification can you provide now that you know House of Blues holds less people? $76 is a ripoff.



Posted by Jerry on June 9, 2008 at 9:07 a.m. (Suggest removal)

yeah it may have been a little costly but the boy's did rock!

I thought that an hour and a half was a little short; two hours would have been better.

I liked the venue and the sound. I caught BTO at the Coliseum several years ago they were so loud and it was so painful that I ended up leaving.



Posted by KidYendor on June 9, 2008 at 12:40 p.m. (Suggest removal)

An hour and a half Jerry? Is that all for $76? Did that include autographs and dinner and wine? Did that include the encore in that hour and a half? I did not go so tell us more. There was no review in the Monday paper. I saw ELP for $5 in Savannah in 1974 and they played for four hours. Times they are a changing.



Posted by jmw29410 on June 9, 2008 at 8:06 p.m. (Suggest removal)

I think I paid $15 to see ZZ Top at the old County Hall back in the 70s. A hell of a show in Hell's Venue (over 120 degrees, I heard). I would have loved to have been capable of going to this show. At least they're worth the pricey tickets.



Posted by scout222 on June 13, 2008 at 4:39 p.m. (Suggest removal)

What a bunch of cheap skates. Most good shows require travel to Charlotte or Atlanta, a $150 to $200 proposition these days with current gas prices. And we had the honor of having a Hall of Fame band play right here in our back yard. It was an AWESOME show, well worth the $85 (including taxes and fees) per seat for sixth row center seats. i took my 16-year-old son for a cultural experience, and he was blown away. I just paid $250 per seat for us to see The Eagles and had to drive to Alpharetta, get a motel room, etc. Same deal to see Tom Petty in Charlotte later this month. World class entertainment is a bit pricey, but what are you going to do? Sit at home and watch Family Guy? Charlestonians need to support events like this if we want them to come here.



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